Added on by Bram Bresseleers.

"You must write what you can, not what you think you want to write or worse what you think you ought to write."

frieze 88 (2005)
Adrian Searle

Added on by Bram Bresseleers.

"Issue 93: The piece by Tino Seghal mentioned in Tom Morton's essay 'Infinite Jester' does not exist in the manner described."

frieze 96 (2006)
Errata

Added on by Bram Bresseleers.

"Our sense of the future is conditioned by a knowledge of futures we have already lost."

frieze 96 (2006)
Daniel Rosenberg

Added on by Bram Bresseleers.

"I took to heart Bertolt Brecht's caveat "don't expect rewards from the society you kick.""

frieze 95 (2005)
Martha Rosler

Added on by Bram Bresseleers.

"A photograph testifies to the truth of what it pictures - this existed, this was - and reveals itself to be a poor substitute for that reality: without body, vulnerable to deterioration and misrepresentation. The very nature of photography - that it is and is not continuous with its subject - introduces doubt as much as it provides evidence."

frieze 81 (2004)
Jan Estep on The Last Picture Show

Added on by Bram Bresseleers.

"A likeable artwork is probably too soft for this world."

frieze 81 (2004)
Dominic Eichler on Erik van Lieshout

Added on by Bram Bresseleers.

"There may be much that's chilly and dishonest about the white wall of gallery spaces, but once you've tried to watch an artist's video in your living room, you can forgive galleries a lot."

frieze 82 (2004)
Morgan Falconer

Added on by Bram Bresseleers.
image.jpg

frieze 79 (2003)
Untitled - Friedrich Kunath

Added on by Bram Bresseleers.

"I have imagined spending whole days doing exactly the opposite of what my intuition tells me. What would happen?"

frieze 123 (2009)
Eric Bainbridge

Added on by Bram Bresseleers.

"The point of abstraction is not so much meaning as being."

frieze 123 (2009)
Kirsty Bell