Added on by Bram Bresseleers.

"These days curators of survey shows simply can't avoid justifying their exhibitions as forms of cultural criticism. (...) This fetishization of academic terminology in artspeak may be seen as one good reason to reject the entire strategy as a hostile takeover of art by intellectualism. Still, a wholesale and knee-jerk dismissal of this sort would be a mistake. (...) One of the historic achievements of modernity has been to radically expand the definition of art. (...) However, the expanded notion of art as cultural criticism can only retain its edge as long as it stays experimental. (...) It is important to articulate the motivation for specific works and projects and subject it to constant scrutiny. (...) Under the umbrella of the discursive approach, individual works become mere ciphers for the particular discourse they are filed under. (...) Discursive practices need discipline. To a certain extent artworks can surely be subordinated to the same principles. (...) For its buzz, however, art largely depends on the unruly dimension of creative production. (...) How is it possible to produce works and exhibitions that have the requisite intellectual restraint to be precise but that also tap into the unfettered energy of art and hence pack a punch?"

frieze 82 (2004)
Jan Verwoert

Added on by Bram Bresseleers.

"The work comes first, the career second or maybe never, or maybe comes and then goes away for good. You'd better get a lot out of what you're doing or do something else."

frieze 92 (2005)
Robert Storr

Added on by Bram Bresseleers.

"In the recent Jean-Luc Godard film Notre Musique (Our Music, 2004) - an inconclusive meditation on war, terrorism and human nature structured as a Dantean triptych of Hell, Purgatory and Heaven - a woman murmurs: 'If someone understands me, I wasn't making myself clear.' One protagonist professes a 'love for the image even as the image repels'; another asks if 'humane people start revolutions'. Godard, playing himself, replies 'humane people start libraries'.

frieze 93 (2005)
Jennifer Higgie

Added on by Bram Bresseleers.

"How rare is it to encounter contemporary art that asks for nothing more than curiosity and an eye?"

frieze 97 (2006)
Tom Morton